There are
hundreds of reasons I love the Whidbey
Writers Workshop MFA Program at the Northwest
Institute of Literary Arts. First, there are the forty other students
enrolled there, about double that number of alumni, the dozen or so faculty and
staff, and the droves of guest faculty who teach at the residencies twice a
year. Then there are the thousands of beautiful and inspiring words I’ve read
while a student there—many of them written by classmates and teachers. Those
are all cause enough to boast about this unique low-residency program, but
there’s more. Started by writers, for writers, the Whidbey Writers
Workshop is willing to tap its students and alumni to teach classes at the residencies.
I’m honored to be included on the schedule
in August (writers have until June 15 to register for the residency-only
option) as Guest Faculty and to respond to NILA’s…
FIVE QUESTIONS FOR
GUEST FACULTY
1. What's
your favorite thing about teaching writers?
Unlike
the Polar Bear Plunge (see the BONUS Question at the end), I’m just dipping my
toe in the water of teaching writers. The little bit that I’ve done so far has
been invigorating and inspiring, and teaching pushes me to dive deep into the
content. Plus, writers are generous and adventurous; I end up learning a ton
from them.
2.
How
would you suggest students approach a writer, agent, or editor they admire?
Scott Russell Sanders |
Plunge in!
That’s the advice I received at the very first Whidbey Writers Workshop MFA
residency I attended; I was testing the waters (sensing a theme here?) as a residency-only student
before I’d applied to the MFA program. Another student
encouraged me to talk to guest faculty Scott Russell Sanders, an essayist whose
work I adore, and even prompted me about what to say. I was sincere in my
questions about writing in this genre, and he was equally sincere (and
supportive) in his response.
3.
How
about a sneak peek of what we can expect to learn from you in your sessions at
Whidbey Writers Workshop MFA?
Throughout
history, people have explored questions of faith through music, painting,
dance, photography, and writing. In the session Writing
About Faith, Spirituality, and Religion, classmate Cynthia Beach and I will
examine characteristics of this subgenre, described by Philip Zaleski, editor
of America’s Best Spiritual Writing series, as “poetry or prose that
deals with the bedrock of human existence.”
We’ll
explore examples and publishing opportunities across a wide range of spiritual
traditions. The session also will include time for writing and
contemplation—something we expect people will welcome on Day 6 of the 9-day
residency.
4. Tell
us what "literary community" means to you.
If we’re
lucky, there’s a ripple when we cast our words to readers. A literary
community, like the one we have at Whidbey, sometimes is a net that gathers us
close. Sometimes, it’s a life preserver.
5. When
not teaching or working at your “day job," you can be found...
shepherd, Buddy
artists’ books
picking,
procuring, preparing and sharing meals with friends and family.
BONUS QUESTION:
The MFA
residency includes a FREE POLAR BEAR PLUNGE in which we all jump into the
lovely, refreshing waters of the Puget Sound. On a scale of 1-5, with 5 being
the most likely, how likely are you to participate?
1 – The
way I’m most likely to be in “the lovely, refreshing waters of the Puget Sound”
is snug in my kayak, wearing a spray skirt and neoprene gloves.
However, I rank a 5 on the scale of how
likely I am to be on the dock, cheering the swimmers on and handing out dry
towels.
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